Lauren King


Monday 18th January 2016
As a group there was a discussion about the Belbin team roles, my first result was a Completer-Finisher.

"Characteristics
Painstaking, orderly, conscientious, anxious.
Completersor Completer-Finishershave a great capacity for follow-through and attention to detail, and seldom start what they cannot finish. They are motivated by internal anxiety, although outwardly they may appear unruffledTypically, they are introverts who don't need much external stimulus oincentiveCompleter-Finishers dislike carelessness and are intolerant of those with a casual dispositionReluctant to delegate, they prefer to tackle altasks themselves.
Function
Completer-Finishers are invaluable where tasks demand close concentration and a high degree of accuracyThey foster a sense of urgency within a team and are good at meeting schedulesIn management, they excel by the high standards to which they aspire, and by their concern for precisionattention to detail and follow-through.
Strengths
A capacity for fulfilling their promises and working to the highest standards.
Allowable Weaknesses

A tendency to worry about small things and a reluctance to let go."


My secondary result was a Resource Investigator.
Characteristics
Extrovertedenthusiastic, curious, communicative.
Resource Investigators are good communicators both inside and outside the organisationThey are natural negotiators, adept at exploring new opportunities and developing contactsAlthough not necessarily a great source of original ideas, they are quick to pick up other people's ideas and build on them. They are skilled at finding out what is available and what can be done, and usually get a warm welcome because of their outgoing nature. Resource Investigators have relaxed personalities with a strong inquisitive sense and a readiness to see the possibilities of anything newHowever, unless they remain stimulated by others, their enthusiasm rapidly fades.
Function
Resource Investigators are quick to open up and exploit opportunitiesThey have an ability to think on their feet and to probe others foinformation. They are the best people to set up external contacts, to search for resources outside the group, and to carry out any negotiations that may be involved.
Strengths
A capacity for finding useful people and promising ideas or opportunities, and a general source of vitality.
Allowable Weaknesses
Liable to lose interest once the initial fascination has passed."

This task allowed both me as an individual and us as a group to understand more about our strengths and weaknesses and what we can each bring to a team. This will assist in future when we need to delegate appropriate tasks to individuals.  
After going through the brief together for a second time and looking over the unit handbook and the marking matrix in much more detail, we created a critical path to ensure that our project is strategically planned.
A universal task was set to go away and research an appropriate fashion brand/ designer to use for this assignment. 

Monday 25th January 2016
During this week i researched possible designers that could be used within this assignment; I narrowed my ideas down to Bobby Abley and Alex Mullins as I felt that it would be good to do a menswear brand because this is something we as a group had not yet done. I found these designers latest collections on the London Menswear Collections that had recently been on in London. I collated appropriate mood boards to present to my peers in the meeting.
I set up a Pinterest board as a place to collect imagery for this assignment which can be found via this link...
https://uk.pinterest.com/laurenchristie0/sfc-group/ 


As a group we felt most inspired by the Alex Mullins collection out of all brands that where considered. The task set for this week was to go away and research around the concept of Alex Mullins A/W 16 collection to enable some ideas to begin to formulate.
Flora Borsi
Borsi is a surrealist photographer who manipulates images, this often involves distortion of the face.
I like how the face is always covered and i feel that this could tie in really well to the Alex Mullins A/W 16 collection.

Friday 29th January
Following Monday’s meeting, each of the group members had researched Alex Mullins and documented any key concepts or ideas that have culminated as a result.
My initial research focused on the idea of portraiture and how portraiture had changed through time.
Portraiture began back in the times of Ancient Greece, Egyptians and Romans in the form of wall paintings and sculptures of God’s and Goddesses.
It then moved onto portraiture in the classic sense of paint and canvas and has seen developments in each of the art movements from baroque to impressionism and to pop art.
Evolving alongside art was the camera, which has developed from 1000AD to the present day. This piece of technology formulates what is now seen today as the modern day portraiture.
The selfie revolution encapsulates the modern day version of portraiture (that was once only accessible to the wealthy) has become accessible to the mass population. People are able to take their own portraits from the digital cameras embedded in their mobile phone devices.
It is interesting to consider how this has developed over time and consider the future of the portrait. Many progresses in the areas of moving image such as film and GIF’s have emerged in the form of the profile picture on social media, something that should also be considered alongside the selfie.


In this meeting we discussed everyone’s ideas that had emerged from their secondary research. The main key themes that we came up with were Portraiture, Art, Identity and Genderless Fashion.

The task set for the next meeting was to research the themes in relation to Alex Mullins and to research Alex Mullins’ consumer demographic.
I recognise the Alex Mullins Consumer demographic to be under the CACI classification of 'socialising young renters' (Acorn, 2016)

Monday 1st February 2016

“The Intelligence Group's online survey with respondents age 14-34 found that more than two-thirds agree gender does not define a person the way it once did, and 60% think gender lines have been blurred”
WGSN (2016) proposed key concepts for the future consumer of 2018. The key concept that was most appropriate to the concept that we are looking at, was the ‘flexible identities section’. It documented that Generation- Z are becoming less concerned by stereotypes and social norms of gender, sexuality, race and employment. Many fashion houses and brands have created some sort of genderless fashion showing that the industry has already begun to respond to this concept. Dazed and Confused, Fila, Elder Error and more recently Zara are an example of how the industry has begun to use this in their activities.



In discussion within the meeting, the consumer was discussed. The idea of genderless fashion had already organically occurred within the team’s primary research and the concept deriving from the idea of portraiture was frames. Considering these ideas in correlation to each other, it was suggested that the frames of a portrait confine it, taking this with the idea of the consumer who does not want to be confined to gender stereotypes came an interesting topic of development that was proposed that we would take forward for the rest of the assignment.

The task between meetings was to carry out some primary research and to create some ideas for typography for the project deriving from the lecture.

Monday 8th February 2016
Last Mondays lecture highlighted the importance of typography within branding and a campaign. Alex Mullins currently has a logo which is strong and applicable to our concept as it looks like brush strokes which relates to the art and portraiture theme underpinning our ideas. 
Types of Font Examples:





As a Group we decided to use 'Rough typewriter' throughout our assignment as it most reflected the artistic look that we were trying to achieve, but also baring in mind the fonts that have previously been used by Alex Mullins. 




During this week I visited an exhibition in Liverpool named ‘One Man’s Cross Dressing Wardrobe’ at the Walker Art Gallery. It was about a man named Peter Farrer who has lived in Liverpool for many years and has been cross dressing since the age of 14. The exhibition show cased an impressive selection of a cross dressers wardrobe. This, for me encapsulated the idea of gender blurring in contemporary society which is reflective of the ideas of our digital campaign. At the age of 14 Peter would not have been brave enough to demonstrate his cross dressing in public and reveal that he was transgender due to it not being socially acceptable at the time. This exhibition shows how far society has developed and enabled freedom of expression. It was commissioned as part of ‘homotopia’ which was set up to celebrate cultural diversity in Liverpool.


The task for this week was to collate some images that can be used for the formative assessment submission board.

Monday 15th February 2016
Reflecting on research to date, images were selected to formulate the formative submission board.

Formative Assessment Submission Friday 19th February.


This is considers an amalgamation of two concepts that were taken from the Alex Mullins collection: Gender & Portraiture. Working on the idea that a frame constrains a piece of art or an image, similarly people now feel constrained by defining themselves as typical gender types which is why fashion has recently become quite androgynous.  This is a concept that will underpin the rest of the assignment.

The task for this week is to research possible outputs for the assignment.

Monday 22nd February 2016
Following a meeting with Jennifer, Zoe and Elizabeth, we considered the feedback from them for our Formative Submission Mood board.
After sharing all of our ideas it was suggested that we look into old fashioned contact sheets and portraiture, this is something that will be explored by each of the group members.




Wednesday 24th February 2016
This meeting involved a discussion of the outcome of the meeting and possible outputs for the assignment.
We played around as a group with the photo booth app on the apple phones and iPads to create our own versions of contact sheets.


It was decided that the first thing to do would be to do a photoshoot.
I contacted a studio in Ancoats, Manchester and was able to book it out for Tuesday 1st March.
Thinking about Models, we wanted people who didn’t typically conform to social stereotypes.
Due to an unfortunately unsuccessful street casting experience from Allana, Emily and Rebecca, we had to then find people who would be willing to soot with us.
I had in mind Dylan who is tall with long dark hair which goes against the standard hair cut that society typically would suggest a male would have and also has a tattoo.
Rebecca’s friend Matt was also suggested as he had piercings and tattoos which also transgress what is socially expectable, although this is becoming more accepted we felt that he reflected the aesthetics of the typical consumer.
Alex Mullins uses females to model his collection alongside males. We therefore wanted to also cast some females.
I found Sophie on a facebook group that advertised models who would be willing to work for free to build up their portfolios. Sophie has previous experience for clients such as GHD. We therefore thought that she would be perfect and she was of Chinese race so therefore provided racial diversity amongst our models.
Jade and Fran who were also Rebecca’s friends were also asked to attend as it was felt that they had quite versatile looks which could be used to our advantage.

We were each allocated roles for the photoshoot to ensure a professional and successful shoot. I also devised a plan to ensure that we had a rough time schedule and everyone was able to have a go at everything they wanted to have a go at.

The task for this week was to plan any imagery that may be useful for the shoot, depending on each of our designated roles.

"Rough Plan for Photoshoot
6pm- Arrive at the venue
6-6:30- Rebecca- makeup and hair on all female models
Allana- Make sure all styling is perfect on the male models ready for shooting
Emily- Set up the playlist & set up lighting
Katie- Set up the props/ set and make sure they are ready to use when needed
Lauren- gets all cameras ready and film the getting set up parts
6:30- Rebecca (time for over run on makeup)
Katie & Allana- begin getting video footage
Lauren & Emily- Begin Shooting Dylan
**While people are waiting ask them to get some individual or group images using the photo booth app to create some contact sheets **
7:00- Lauren & Emily - shoot one female
Rebecca- Shoot Matt
Katie and Allana- Continue to film all aspects and make sure all styling, setting and makeup is looking good
7:30- Rebecca- shoots one female
Allana & Katie- shoot the final female
Lauren and Emily- Continue to film all aspects and make sure all styling, setting and makeup is looking good
8+ - Some models may wish to go home if they have to get the train (give them the option)
A change for overrun, retaking images
A chance for group shots
9/9:30 pack up and tidy up studio from shoot"

In preparation for the photoshoot some of us made t-shirts for use within the images. This is because Alex Mullins sells hand made tshirts via his facebook page and we tried to emulate this within our images. This was my tshirt:
On reflection, i also added some colour to reflect the AW16 collection.
Tuesday 1st  March 2016
Photoshoot!
During the photo shoot many images, video footage, images from the photo booth app and boomerangs were taken.
Here are a selection of images i took during the shoot:
Photo booth Images:

Camera Images:


Favourite Image:
Thursday 3rd March 2016
Following the Tuesday we got together to view all of the images and video footage that had resulted from the photoshoot.
Contact sheets were printed off of all photos that were taken and each group member circled their favourite images from the shoot. This enabled us to narrow down a large set of images and to select a group of images that would be developed for the digital campaign.



Despite the fact that Sophie was an amazing model and provided so much in terms of imagery, unfortunately we decided that the best imagery that reflected the brand and the digital campaign concept we were trying to create were from Dylan and Matt, so we make the group decision not to use any females for imagery in this project. We felt that this would be more relatable to the target consumer also.

Here are some of her images that we decided not to use:



We then discussed how we can move this project forward in terms of outputs. Using the video footage taken, we decided to create a behind the scenes video with voice overs speaking about identity and gender, which relates to our concept.

We decided that the stills and photo booth images would be best presented in the form of a conceptual magazine to display our images alongside our concept and including quotes about gender and identity to provide consistency over the two digital platforms that where to be created.

It was decided that the photo booth images would be best displayed in the form of a GIF. As previously mentioned within the research, GIF’s are emerging as the new form of the selfie that has previously derived from traditional portraiture and could be suggested that this is the future of the portrait.

After deciding on our three main outputs, as a group we strategically devised a plan to make the most of the remaining weeks.
The task for the next meeting was to begin creating the behind the scenes video and conceptual magazine.

Monday 7th March 2016
Adobe Photoshop, Images from the photo shoot were edited for use within the conceptual magazine. Emily, Allana, Katie and I began to create the conceptual magazine using Adobe InDesign. The theme throughout would be represented by hand drawn art effects created on photo shop and layered over images and text. The layout would represent contact sheets that had developed throughout our project.
Alongside this, we began to edit the film clips that would be used within the behind the scenes video using final cut pro.
The tasks for next meeting would be to research music that could potentially be used within the video and to record voice overs of people speaking about gender and identity.
Songs that i found for the behind the scenes video were...


Thursday 10th March 2016
Rebecca, Katie and Emily continued to work on the conceptual magazine whilst Allana and I created a selection of GIF’s from the photo booth images. We decided that they would be best used on Instagram as it would best target the consumer and instagram is a kind of contact sheet in itself.
The music was selected for the Video: ‘London Baby’ by Michael Woods (radio edit). It was decided as Alex Mullins is a London based brand and has house music tendencies that is currently most popular with the consumer.
We discussed ideas of a campaign tagline also: the ideas can be demonstrated by the word cloud. The final tagline was 'leave the frame behind'


Friday 11th March 2016
Emily and I began by continuing to cut down video footage into clips and ordered in the story frame.
Allana and Katie continued with the conceptual magazine.
We then swapped so that each of us had an input into each of the outputs.
The video was finished.
We then realised that we were ahead of our schedule in terms of creating outputs and therefore decided that we would create another output for this digital campaign. This output was to be an app that would include a drawing game within and other features such as news, and a Tinder-like shopping platform for Alex Mullins Garments. This was based on what is currently emerging in the industry such as a similar technology from Missguided.
Augmented reality in the form of geo-filters on snapchat could be created when people are in and around the London Area.
This idea was inspired by a current filter on snapchat that we felt would work really well within our digital campaign: for example...














Monday 14th March 2016
Having reviewed the behind the scenes video over the weekend there were several improvements that I felt needed to be made to it and the other girls agreed. Unfortunately we were unable to open our video, so we then had to create a new one.
The improvements we wanted to make were:
·        To add in more flashes of colour
·        To add in the campaign headline
·        To change some of the voice overs as they were not as effective as anticipated
·        To add in some effects
·        To ensure that each of the clips went with the beats in the music

With these improvements in mind Emily, Allana and I recreated the video whilst Rebecca and Katie created some possible snapchat filters.

Tuesday 15th March 2016
During this meeting a mock-up of the app was created to show how it would look visually in practise. Each team member contributed to this output.
We now have a total of five outputs for our digital campaign ‘leave the frame behind’ for Alex Mullins A/W 16 collection.
Wednesday 16th March 2016
As a group we updated the logbook to upload some imagery and make the layout accessible and aesthetically pleasing.
Friday 18th March 2016
DEADLINE!!

We met up as a group to upload our submissions to moodle. 
© Leave the Frame Behind
Maira Gall